Located in Hong Kong’s contemporary art hub Wong Chuk Hang, GOLD imagines possibilities for what a cultural space can be today, through a curated program of visual arts, fashion, music, design, and technology.
Opens 20 March 2026
Wednesday–Sunday, 12.00–18.00
Closed on public holidays
Art Basel Hong Kong Opening Hours:
21–29 March 2026, Daily from 10.00–18.00
24 March 2026, Open till 23.00
- South Ho Siu Nam
- Tith Kanitha
- Lousy
- Shinro Ohtake
- Pak Sheung Chuen
- Peter Robinson
- Richard Serra
- Santiago Sierra
- Maria Taniguchi
- Weng Io Wong
- Young-Hae Chang Heavy Industries
South Ho Siu Nam, Into Light III, 2026, archival inkjet print, paper size: 152.4 x 162.5 cm
Courtesy of Blindspot Gallery
South Ho Siu Nam, Into Light III, 2026, archival inkjet print, paper size: 152.4 x 162.5 cm
Courtesy of Blindspot Gallery
Tith Kanitha, Untitled, 2024, Hand-coiled 0.7mm steel wire, 46 x 20 x 21 cm.
Image courtesy of the artist and ROH. Photo by Prum Ero.
Lousy, Scarf designed for Serakai Studio, available online and at GOLD
Shinro Ohtake, Retina (Strobo I), 1992, paper, tape, oil, pencil on paper, 104.8 x 75.8 cm., © Shinro Ohtake, Courtesy of Take Ninagawa, Tokyo
Pak Sheung Chuen, Using the Light of the Waning Moon to Draw a Full Moon, 2007.9.5, Photo: 80 x 69 cm.
Image courtesy of the artist
Peter Robinson, Certain Uncertainties, 2026, charcoal on paper, Paper size: 200 x 141 cm.
Image courtesy of the artist
Santiago Sierra, 250 cm Line Tattooed on Six Remunerated People, Espacio Aglutinador, Havana, Cuba, December. 1999. Film, Performance, Photography.
Image courtesy of Estudio Santiago Sierra
Maria Taniguchi, Untitled (detail), 2014, acrylic on canvas, 200 x 500 cm. Courtesy of Private Collection, Hong Kong
Weng Io Wong, Genesis on 720 Screens: The Unknowable _/_ 2019-2021, Giclee print on aluminium dibond, rubber cord, metal shelves, polyester, metal chains, and mixed media. Dimensions variable.
Image courtesy of the artist
Young-Hae Chang Heavy Industries, CRISIS OF EVERYTHING AND NOTHING (Detail), 2026, 141.4 x 100 cm.
Image courtesy of the artist.
CERTAINLY is about Uncertainties. Inspired by artist-composer La Monte Young’s 1960 event score “Draw a straight line and follow it,” the exhibition uses this single directive as inspiration to dive deeper into works where the tension between process and outcome catalyses experimentation. Bringing together artists who respond—directly and obliquely—to the condition of uncertainty, CERTAINLY treats deviation not as error but as method and generative force.
COMING SOON
COMING SOON
